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DILLON ON FILM
Rebecca: 85 Years On
Alfred Hitchcock’s outstanding adaptation of Daphne Du Maurier’s classic gothic mystery remains a major personal favourite
Warning: Contains spoilers
I first discovered Alfred Hitchcock’s superb take on Daphne Du Maurier’s classic gothic mystery when I was sixteen. My wonderful A-Level Media Studies teacher introduced it to me at this impressionable age, along with many other classic dark thrillers and horror films. I owe her a tremendous debt since this film and Du Maurier’s book both loom large as an influence informing my own horror-thriller novels. I rewatch Hitchcock’s Rebecca (1940) at least once every couple of years. It’s also become something of a comfort watch, as my wife is also a big fan of it, and I have many happy memories of enjoying the film with her.
Rebecca was Hitchcock’s first major American film after he defected to Hollywood from the UK. In conjunction with producer David O Selznick and screenwriters Robert E Sherwood and Joan Harrison, a first-rate adaptation ensued. The film went on to win a couple of well-deserved Oscars: Selznick for Best Picture, and George Barnes for his deliciously atmospheric monochrome cinematography.









